Showing posts with label Sgt Peppers. Show all posts
Showing posts with label Sgt Peppers. Show all posts

Saturday, 15 December 2018

Paul McCartney at the Hydro

Beatlemania is a alive and well if last night in Glasgow is anything go to. Scotland's largest indoor arena was packed by fans of all ages and fans from across the globe, eager to witness 76-year old Paul McCartney romp through 3-hours of hits with the odd surprise thrown in for good measure. 39-songs!

McCartney was in sparkling form from the off. The huge Glasgow ovation that greeted him seemed to inspire him and his fabulous band. McCartney had a gleam in his eyes and a wide smile on his face as he launched into the timeless pop of A Hard Days Night, a Lennon number. Well they are all Lennon and McCartney songs, they are our songs.

Sir Paul and his band skirted effortlessly through his back catalogue; we had lesser known numbers like Junior's Farm from his Wings days sandwiched between the opener of A Hard Days Night and Can't Buy Me Love. We had new numbers like Fuh You and I was surprised that was the melody I woke up with in my head this morning.


And I mentioned surprises. We had Lennon's Being For The Benefit Of Mr Kite over any of his own Pepper gems other than the title track, Macca stepping on to a platform in front of the stage and being raised to the roof to play Blackbird and Here Today in memory of John.

And we did have the odd (for me) forgettable moment. My Valentine, dedicated to wife Nancy in the crowd and then in the encore McCartney's seasonal offering Wonderful Christmas Time. Only memorable for the children's choir and the fake snow confetti falling from the ceiling.

But make no mistake, this was a wonderful 3-hours. I'll move on to my personal highlights.

Firstly there was the fact that my brother had managed to get us tickets 4 rows from the front, centre stage. We were in with some of Macca's staunchest fans from his fanclub, people from Canada, from Japan, people in Sgt Pepper costumes, people in retro t-shirts, people in new merchandise and people just completely in love with the man and his music.

Then there was Paul himself. He looks fantastic. He had a super cool navy jacket on to start off and I made a silent pact with myself to try and look that sharp if I make it to 76!

And McCartney was clearly enjoying himself, switching between bass and guitar, running to behind his piano, fingers dancing effortlessly over keys or frets. His guitar playing was top drawer.

His long serving band were magical. Drummer Abe Laboriel Jr beat his kit as if his life depended on it, he was incredible to watch. Guitarists Rusty Anderson and Brian Ray flanked McCartney and the three of them gelled with ease, while Paul 'Wix' Wickens was superb on keysand accordion. All helped with backing vocals.

Before I get to my personal song highlights (many!) I have to mention McCartney's personality. I've mentioned the twinkle in his eye, his smiles, but he was full of stories of watching Hendrix (there was a nice nod to him with an instrumental take on Foxy Lady) , there was the story of the Quarrymen recording for a fiver then all taking it in turns to have the demo acetate of In Spite Of All The Danger for 1-week, only for the drummer to then keep it for 20-years and sell it back to McCartney for a much, much higher price. And lovely memories of The Beatles and Linda.


McCartney was warm, charming, cheesey and someone who just loves to show off. In that sense he hasn't changed a bit since the early days of The Beatles. The others quickly tired of Beatlemania, it was McCartney who kept them together and drove projects like Pepper, Magical Mystery Tour, Let It Be and Abbey Road. It was McCartney who hit the road playing Universities in the 70's and just kept on going. He loves to play, needs to play and will always write and sing.

His energy and enthusiasm is infectious. As is his vast cannon of pop and the Glasgow crowd lapped it up.

My highlights;  an unexpected blast through Got To Get You Into My Life, a powerful blast of Let Me Roll It, the beautiful guitar riff and raw natural I've Got A Feeling, the section where the band all moved to the front of the stage to play the aforementioned Quarrymen song, the pop perfection of From Me To You, the modern Macca delight of Dance Tonight, the stunning Eleanor Rigby and newly Fuh You was fun.

There is more.....

Something was sensational. Stripped back on a ukulele at the start before the band came in. The section you're asking me how my love grows, I don't know, I don't know was performed perfectly on stage and off, the crowd were in love.

Macca was off on a sensational run of songs. Band On The Run was joyous, so playful, so melodic, so classically McCartney. The backing films shown on the screen were superb, Macca assembling his gang for the cover shoot, elsewhere we had Paul looking super cool on his farm in Campbeltown with little Mary wrapped in his jacket, rare Beatles footage and lots of psychedelic art.

Live And Let Die was epic. Indoor fireworks and fire blasted from the front of the stage and 4 rows back my brother and I could feel the heat! And then we had the sing song of the night, a sing song to end all sing songs, we had Hey Jude. It was magical, every single person in the arena was singing and McCartney took time to conduct the crowd.

Phew, it was far from over! McCartney and his band came back on waving flags.

Birthday, Sgt Peppers and Helter Skelter were powerful blasts of rock. Helter Skelter in particular was a real highlight, the on screen graphics really took the crowd on a trip.

And we ended perfectly with Golden Slumbers, Carry That Weight and The End.

What a show. This was my third time seeing Sir Paul. I sincerely hope there is a 4th.



Tuesday, 15 May 2018

Everything Flows TV - episode 1

I love YouTube. I come from an era where I recorded music videos and performances from The Word, Top of the Pops, the White Room, Later with Jools and BBC coverage of festivals like Glastonbury and T in the Park on to VHS cassettes!

And there was a market for this. Some enterprising individuals would mass produce their homemade bootlegs and sell them at record fairs. So I forked out £15/£20 for everything I could find on the Stone Roses, Oasis and The Charlatans!

Of course nowadays any TV show a band has ever done is online, as is their promo videos, interviews, official live footage and plenty of bootleg footage - some good, others shoddy.

I love when people I follow online post good stuff to watch, so I thought I would introduce what will hopefully become a regular feature - Everything Flows TV.

Episode 1 features brilliant stuff from The Beastie Boys, Nirvana, AC/DC and Jimi Hendrix.

The Beastie Boys fly through Sabotage live on the Letterman show. Check the ferocious energy and fun they are having. Superb!

The Word, broadcast late on a Friday night on Channel 4, was essential trash TV for a young teenager. There was some truly awful stuff broadcast, but some incredible live performances. Check Kurt's intro to Smells Like Teen Spirit, Captain America (to become Eugenius) t-shirt and the brilliant performance - Nirvana were such a tight live band but they could just go crazy - and they do....live on TV.


There used to be so much music on TV. This was extremely memorable! Nirvana were booked to play their current single Lithium on Jonathan Ross' show and were introduced to that effect. Broadcast live, they decided to tear through Territorial Pissings instead! They blitz through it with exceptional punk rock energy and intensity, leaving Jonathan Ross a little shocked but he makes the most of it with a little joke.

Speaking of energy - a few people recently posted this brilliant video of AC/DC performing It's A Long Way To The Top If You Wanna Rock n Roll. Rocking out in the street (complete with bagpipes!) the band look like they are having the time of their lives - something that they always transferred to their fans.

In 1967 it must have seemed like anything could happen - and it often did. 2-days after the release of The Beatles seminal Sgt Pepper's, Jimi Hendrix and the Experience opened with it .... in front of The Beatles (Paul and George).

It would be one of his first gigs in London. Jimi was a sweetie, a very nice guy. I remember him opening at the Saville on a Sunday night, 4 June 1967. Brian Epstein used to rent it when it was usually dark on the Sunday. Jimi opened, the curtains flew back and he came walking forward, playing 'Sgt. Pepper', and it had only been released on the Thursday so that was like the ultimate compliment. It's still obviously a shining memory for me, because I admired him so much anyway, he was so accomplished. To think that that album had meant so much to him as to actually do it by the Sunday night, three days after the release. He must have been so into it, because normally it might take a day for rehearsal and then you might wonder whether you'd put it in, but he just opened with it. It's a pretty major compliment in anyone's book. I put that down as one of the great honours of my career. I mean, I'm sure he wouldn't have thought of it as an honour, I'm sure he thought it was the other way round, but to me that was like a great boost. - Paul McCartney, Many Years From Now

Monday, 1 February 2016

All Along The Watchtower

Cover of the month #9

All Along The Watchtower - Jimi Hendrix



Most, if not all, of my blogs on cover versions to date talk about artists transforming a song - Jimi Hendrix takes on Dylan's All Along The Watchtower and takes it to another planet. Hendrix guitar playing is trailblazing. Mitch Mitchell more than matches Hendrix' guitar with his ferocious drumming. Noel Redding usually underpinned everything, but Hendrix plays bass on this recording. Online info seems to indicate Redding walked out of the recording as it was all done rather spontaneously with Hendrix shouting chord changes. Brian Jones from the Stones plays percussion. 

Dylan's version came out in 1967 with Hendrix following swiftly a mere 6-months later. Hendrix peppered his career with covers; Hey Joe being the obvious one, but he also covered The Beatles Sgt Peppers Lonely Hearts Club Band on the day the album was released, shredded Wild Thing and famously interrupted a live TV performance of Hey Joe by saying 'We'd like to stop playing this rubbish and dedicate a song to Cream....' and taking off on an instrumental tribute of Sunshine Of Your Love to the band who were breaking up.

Hendrix is on fire, the breakdown at 2-minutes in and subsequent guitar solo with Hendrix yelping 'hey' goes on for a spellbinding 50-seconds before Hendrix brings it all back in.

Dylan has said of Hendrix' version: 'It overwhelmed me, really. He has such a talent, he could find things inside a song and vigorously develop them. He found things that other people wouldn't think of finding in there. He probably improved upon it by the spaces he was using.'

Hendrix's version remains pretty true to the vocal melody (although he gives it more urgency and just sounds typically Hendrix cool) and acoustic rhythm, but his electric guitar just takes it to another dimension. The needle practically leaps of the record, it sounds vital, there is so much going on, yet like Dylan says in his quote above, Hendrix finds space and he also finds a real groove.