SAY Award 2019 shortlist - artists feelings and tastes

THE SCOTTISH ALBUM OF THE YEAR SHORTLIST HAVE THEIR SAY ON BEING INCLUDED ON THE 2019 LIST…

Speaking about being included on this year’s Shortlist of 10 outstanding albums, Aidan Moffat and RM Hubbert: “We're very happy to find ourselves on this year's SAY Shortlist – in just a few years it's become an essential celebration of Scotland's huge and diverse musical output, and we're looking forward to discovering a few new names too.”  Andrew Wasylyk said: “To have snuck on to the Shortlist alongside such brilliant records is a deep privilege and an honour. I'm looking forward to saluting these wonderful Scottish artists and their work." Auntie Flo said: “Radio Highlife is a result of seven years of musical collaborations and sonic adventures with dozens of amazing people I've had the fortune to meet on my travels as a DJ. It is great that the album has been recognised for this year’s SAY Shortlist.”  C Duncan said: “I feel very honoured to be in the Shortlist for The SAY Award given the calibre of the other nominees. It is such an eclectic list that really shows how diverse the musical scene in Scotland is.” Carla J Easton said: “I feel like I'm dreaming. 'Impossible Stuff' is the album I have always wanted to make and simultaneously the album that almost never happened. The journey it continues to take me on surprises me each and every day.” Fergus McCreadie said: “It’s truly an honour to be included on such a prestigious list. The Scottish Jazz scene is coming to be a force to be reckoned with, and to be representing that scene (especially amongst some really incredible albums) is such a pleasure.” Free Love said: “We're both really honoured to be on this year's Shortlist with ‘Luxury Hits’. A lot of love, sweat and hard work went into the making of it.  For a country that punches so high above its belt in musical output, we're very proud to be considered for this award.” Karine Polwart (with Steven Polwart & Inge Thomson) said: “The SAY Award has brought so much new music to my ears over the past eight years. But for me, the key breakthrough has been Kathryn Joseph.  ‘Bones You Have Thrown Me And Blood I’ve Spilled’ is emotionally devastating, visceral stuff, as is ‘From When I Wake The Want Is’. She’s a legend. And her ascendance on the Scottish music scene - her rawness, her vulnerability, and her sheer human loveliness - is evidence enough of the value of the award.” Kathryn Joseph said: “I am very, very proud to be on the Shortlist this year and everyone else on it is amazing and beautiful. I cannot wait to wrestle so many great humans that I love and we are a very lucky land to have such a great and generous music award that everyone can be part of.”  Mastersystem said: “The most important thing about being nominated is the fact we are there as a result of a public vote. That recognition means more than anything. Thank you.”

THE SAY AWARD SHORTLIST CURATE A LIST OF THEIR TREASURED SCOTTISH ALBUMS

Andrew Wasylyk’s most influential Scottish albums included Michael Marra’s‘Posted Sober’, The Delgados’ ‘The Great Eastern’, Trashcan Sinatras‘Weightlifting’ and Boards of Canada’s ‘Geogaddi’. Andrew also chose The Beta Band’s ‘The Three EP’s’, saying: “In 1998 I was on the cusp of leaving school. These E.P.’s seemed to echo that period of change - brimming with possibility and excitement. They always had wonderful artwork too. I’ve still got my ‘Flower Press Issue 2’ fanzine.”   Carla J Easton picked from a huge range of Scottish albums, to create her top five including Lungleg’s ‘Maid To Minx’, V-Twin ‘The Blues Is A Minefield’ and is the second Shortlisted artist to choose The Beta Band’s ‘The   Three   EP’s’.   Carla   also   chose Teenage Fanclub’s ‘Songs From Northern Britain’ saying: “Teenage Fanclub remind me of my big brother. He played their albums constantly when I was growing up and the songs would bleed through my walls (our house is legit made from straw!). It showcases all three songwriters perfectly. I’m in the Fanclub ‘Fanclub’ on Facebook and someone posted about the three styles of writing in a way that – for me – sums it up perfectly. Norman – I love you let’s get out the city, Gerry – I love you let's go to outer space, Raymond – I love you please-don’t-ever-f*****g-leave-me.”   C Duncan spoke about his love for Cocteau Twins ‘Heaven or Las Vegas’ saying “For me, this is one of the most melodically beautiful albums ever written.” C Duncan also picked Billy Mackenzie - 'Beyond The Sun’ commenting, “This album is sublimely enigmatic and unusual.”

Fergus McCreadie selected his favourite Scottish albums and included Konrad Wiszniewski ; Euan Stevenson’s 2013 SAY Longlisted album ‘New Focus’, saying: “I grew up with this album (the pianist Euan Stevenson was my teacher, so that’s maybe why!) It’s extremely eloquent and well arranged.”Fergus also chose Tom Gibbs’ ‘Fear of Flying’ and Tommy Smith’s ‘Beasts of Scotland’. Free Love chose a bunch of great records including Ivor Cutler ‘Jammy Smears’, Mogwai ‘EP + 6’ Arab Strap ‘Philophobia’, Errors ‘Have Some Faith In Magic’ plus Cocteau Twins ‘Heaven or Las Vegas’. Speaking about ‘Philophobia’ by Arab Strap, Lewis from Free Love said: “This album was my introduction to Arab Strap when I was about 14 and to me it was punk without all the hackneyed tropes. It was recognisable and real, bold and provocative, but also personal and emotional.” Of the Cocteau Twins’ record, Suzie said: “There's something otherworldly about the chorus riddled guitars and Liz Fraser's somersaulting, often unintelligible vocals that take us on a soft focus journey to a pop dream world.”

Karine Polwart with Steven Polwart & Inge Thomson also picked The Cocteau Twins ‘Heaven or Las Vegas’ saying: “I went to school in Denny and local heroes The Cocteau Twins were living proof that gorgeousness was possible. Heaven or Las Vegas is by far my favourite of their albums. Every member of that band was a creative genius, but Liz Fraser’s voice, her broken, bonkers lyrics and melodic idiosyncrasy are transcendent. To me that band sound like Grangemouth at night, all neon lights and steel and futuristic spires. And nothing will make me dance round my living room like Iceblink Luck.”  Additionally, Karine Polwart chose Dick Gaughan ‘Handful of Earth’ commenting: “The subsequent Scottish pop of the 90s pretty much passed me by, because I was obsessed with song archives and late night folk sessions at the time. The key to the door was Leith legend Dick Gaughan’s classic album Handful of Earth. It’s a soulful master class in how to make centuries old songs sound as fresh as the day they were born. And it reminds me of my grandfather.” And finally, Karine Polwart picked Martyn Bennet ‘Grit’ saying: “I was sound checking with a trad song project called Scottish Women when Margaret Bennett first let the mighty Traveller singer Sheila Stewart hear herself sampled on Move, the opening track of her son Martyn Bennett’s 2003 album Grit. It was an amazing collective moment. None of us had heard anything quite like it. That album, how it combines trad archive recordings, beats and classical orchestration skills, transformed what Scottish folk music could mean, and do. It was a total game changer.”

Kathryn Joseph chose A Mote of Dust’s self-titled album, crediting the album with helping her to create her own masterpiece, saying: “Hearing this record played live and how much it affected me is why ‘From When I Wake The Want Is’ exists because it broke my brain open. The way music can make you feel the truth of things is amazing.”  She also chose The Twilight Sad’s ‘It Won/t Be Like This All The Time’, commenting: “This record and these humans is/are perfect and I am broken hearted that it isn’t on the Shortlist this year because it deserves to be. They are the soundtrack to me getting to go and tour America for the first time and if I could spend my life listening to them play all of these songs every night for the rest of my life, I would die happy. The noise they make is beauty and the way they make it feels important to all of us humans trying to be ok. There is no one better live.” For her final record, Kathryn Joseph selected Mogwai’s ‘Les Revenants’ adding: “This is maybe my most listened to record – it is perfect beauty.”  Winners of this year’s public vote, Mastersystem selected two classic Scottish albums as their favourites, choosing Idlewild’s ‘100 Broken Windows’ with Grant Hutchison saying: “This album made me want to be in a band because of its raw, raucous sound and simplicity and unashamed rough edges.”Mastersystem also chose one of Scotland’s biggest bands, and their good friends, The Twilight Sad’s ‘Fourteen Autumns And Fifteen Winters’ as their second choice, with Grant saying the album “changed my life and is the best example ever of powerful ear splitting noise and beautiful emotional vulnerability.”

You can listen to the curated list of treasured Scottish albums via The SAY Award Playlist here.  The winner of Scotland’s national music prize, The Scottish Album of the Year (SAY) Award 2019, will be revealed tomorrow (Friday 6 September) as the ceremony moves to Edinburgh for the very first time, at The Assembly Rooms. An audience of artists, esteemed industry figureheads and engaged music fans from all over the UK will gather at the final award ceremony in a stunning celebration of Scotland’s flourishing music scene, with emerging Scottish acts LYLO, Heir of the Cursed, Cucina Povera and Man of Moon showcasing at the event. Presented by co-hosts Vic Galloway and Nicola Meighan, the night will end in style by announcing the winner of the prestigious award, as well as the lucrative £20,000 prize.

The SAY Award Shortlist, in alphabetical order – Aidan Moffat and RM Hubbert – Here Lies The Body Andrew Wasylyk – The Paralian Auntie Flo – Radio Highlife C Duncan – Health Carla J. Easton – Impossible Stuff Fergus McCreadie Trio – Turas Free Love – Luxury Hits Karine Polwart with Steven Polwart & Inge Thomson – Laws of Motion Kathryn Joseph – From When I Wake The Want Is Mastersystem – Dance Music Developed by the Scottish Music Industry Association, 2019’s campaign is delivered in partnership with Creative Scotland, City of Edinburgh Council, YouTube Music, Harviestoun Brewery, Ticketmaster New Music, PPL, Sweetdram, The Queen’s Hall and charity partner Help Musicians Scotland.

Now in its eighth year, previous winners of The SAY Award include Young Fathers ‘Cocoa Sugar’ (2018), Sacred Paws ‘Strike A Match’ (2017), Anna Meredith ‘Varmints’ (2016), Kathryn Joseph ‘Bones You Have Thrown Me And Blood I’ve Spilled’ (2015), Young Fathers ‘Tape Two’ (2014), RM Hubbert ‘Thirteen Lost & Found’ (2013) and the inaugural winner Bill Wells and Aidan Moffat ‘Everything’s Getting Older’ (2012). Follow The SAY Award’s 2019 journey on Twitter @SAYaward, Instagram @sayaward and Facebook @SAYaward

16 Scottish bands for 2016

There are absolutely loads of Scottish bands and artists set to have exciting years in 2016 - some will be releasing music via major labels, others on small indie/DIY labels and then plenty will be self releasing.

The most important thing is that Scottish music is in an incredibly rich vein of form at present. There are loads of bands set to progress with many doing so on precisely their own terms which is very pleasing to me as a music fan - no label or management interference.

Here are 16 relatively new/up and coming artists to look out for in 2016.

A second blog on 16 things I am looking forward to in Scottish music will follow later this week.

1. Kathryn Joseph - will she follow up her SAY Award winning album with a new release in 2016? I would expect at least an EP from the very talented songstress. Check this sublime live recording of her song The Bird from a BBC Radio Scotland session

2. Happy Meals - won hearts with their Apero mini-album. They are winning more with their live shows. I don't think we will need to wait too long for their next release. Unique and gorgeous.  I hope to have a guest blog on Happy Meals in the near future.

3. Neon Waltz - set to tour with The Coral in the Spring, I think 2016 could be another year of development or see an Autumn album release for this hotly tipped band from Wick. The band have been living in their own world up in Wick, forming their own sound unaffected by any scene or scenesters, it is a sound that people want to hear more of. Singer Jordan Shearer look like a young Bobby Gillespie and has the charm and style to win and melt hearts.

4. White - currently getting loads of support from the BBC and set to tour the UK in Feb/March including a huge hometown show at the QMU on 20th February, White's high energy guitar pop could lead to a big year. Their next single could be the one that will see them break through.

5. Kloe - I have to admit to being sceptical about Kloe; however I really enjoyed her set at Wickerman and look forward to seeing how she develops in 2016. I expect a couple of singles and maybe an EP along with a good support tour and festivals would be a productive 2016 for her to aid her development. But you never know, an album might sneak out if a single kicks in.

6. Fatherson - The main question re Fatherson for me is whether or not they are going to transfer to the rest of the UK and beyond? Signed to Easy Life Records (a Sony offshoot) will give them every opportunity. The same questions were asked about Biffy Clyro and we all know how they got on -given time and the opportunity to develop. Their latest single Always explodes into life with the guitars sounding billiant. It will be interesting to hear their first album on a major label.

Check this incredible performance from T in the Park.

7. Model Aeroplanes - 4 young, good looking and talented boys from Dundee , this band have every chance of breaking through in the next couple of years. Signed to Island Records, I think 2016 might be too early for an album, but I look forward to hearing a couple of singles or an EP. Expect loads of shows and festivals to get their name out there. Check their self released single Electricity for an example of what they can do.

8. Catholic Action - I've blogged about them recently and I've really fallen for them. Prolific and set for a big 2016. They've released a load of material via local label Fuzzkill Records (on cassette) and I wouldn't be at all surprised for a larger label to come in and take them on.

9. Crash Club - A band who have been building and building towards something quite special. 2015 was a riot for them, their live show has been honed and toned to perfection leading to loads of praise and a growing fanbase. An album isn't their priority but they pretty much have one in the bag. Expect a single/EP in the first half of the year and then we'll see what happens.

10. TeenCanteen - my sisters band finished recording their debut album in December and are waiting to master it. A single will come out in March/April along with some live dates with indie legends Shonen Knife. The band also play the ABC as part of Hazy Recollections as part of Celtic Connections on Sunday 17th January.

The band have had the Cairn String Quartet in the studio for a coupe of songs. Check this gorgeous version of Honey from their recent Mono show as a taster for what might be on the album.

11. Gerry Cinnamon - I am really enjoying the rise of Gerry Cinnamon. I first came across Gerry when he fronted The Cinnamons and always enjoyed watching them live. Gerry has been playing and running open mics for a couple of years and then he went viral in 2014 with his song Hope Over Fear which led to him playing protests and rally's. The exposure led people to Gerry's catalogue of songs and his shows started getting bigger. Gerry's personality helps, he is funny, positive, up for it, kind, quick-witted, intelligent and he also speaks his mind and the truth.

Check the response to Good Feeling at a recent show at the Biscuit Factory in Leith HERE

12. November Lights - I blogged about this band back in November and also interviewed them. Check that HERE. I look forward to catching them live at King Tut's on 23rd January (when I will also be dj-ing between bands) to see if they have more songs up to the standard of their debut release Bring You Home. If they do then I think they could go all the way.

13. Atom Tree - Glasgow band move to London shock! It is kind of against the norm for a Glasgow/Scottish band or artist to move to London these days. Atom Tree have upped sticks and moved to the big smoke having signed a publishing deal that has allowed them to become a full-time band. They've been working on material for the last 6-months so they could explode in 2016. Check out this for a beautiful electronic gem.

I first blogged about them back in the summer of 2014 when their song Desired Effect was picked up for a Burberry advert. I've caught them live a few times and they have some incredible songs.

14. The Bellybuttons - I caught The Bellybuttons supporting Ultimate Painting at Mono in November and I look forward to catching their energetic guitar pop again in the near future. Another band to have released via Fuzzkill Records, they have a great laid back Pavment-esque sound, also taking in lovely warm Teenage Fanclub style guitars at others.

15. JR Green - came to my attention via Joe McAlinden on Twitter and when he took Edwyn Collins to check them out in Inverness I thought I had better do the same. The duo (brothers Jacob and Rory Green) have signed to Hits The Fan Records who released the gorgeous Kathryn Joseph album, their debut Bring The Witch Doctor EP is a delight and contains the following lyrics on their song Nigerian Princess.

I'm sorry for my output but I'm surrounded by wankers

I'm only 17 so I don't have all the answers (YET)

16. Man of Moon - had a blinding 2015 and are set to crack on further in 2016. Their debut release The Road was an exceptionally assured release from a couple of teenagers; gripping, menacing and full of energy - controlled and then explosive. I've yet to see this band live but all reports have been full of praise and I look forward to catching them soon.

The Girl Effect 2 at Mono

Thursday night at Mono was delightful; loads of Scottish bands/artists coming together to support Scottish Women's Aid. There was glitter, fun, fantastic music and a friendly and uplifting atmosphere.

The Girl Effect #2 was curated by my sister Carla from TeenCanteen. The first Girl Effect had taken place in Edinburgh back in May for her 30th birthday. It was so successful, raising just under £3,500 plus a heap of awareness, that Scottish Women's Aid asked her if she would do a second one. Now back in Glasgow with the rest of the band, Carla decided to go for it and was amazed by the response.

I would like to say a personal thank you to all the artists involved, the incredible tech team led by Ronan from La Chunky studios, the sound engineer, the team from Scottish Women's Aid, the MSP's that came down, the girls from TYCI who dj'd, looked after artists and helped on the door, to everyone who donated a prize for the raffle, to all at Mono and to everyone who supported the event by attending or by writing about it in advance.

And also well done to my sister for organising another incredible night. Here is what happened....

Carla and representatives from Scottish Women's Aid took to the stage at 7pm sharp. Doors had opened at 6.30pm and it was fantastic to have the venue busy for the first bands coming on.

The Just Joans - Will He Kiss Me Tonight by Dolly Mixtures, Will You Still Love Me Tomorrow? by The Shirelles

It can't be easy to be the first band on, but The Just Joans made it look easy, the 6-piece sounded superb and their take on The Shirelles was particularly well received.

Adam from Randolph's Leap - Bud by Honeyblood, Us Little Kids by The Roches
A quick changeover and Adam was into Bud by Honeyblood and sounding fantastic. I discovered some great new songs through the night and Us Little Kids was one of them.

Bodyheat - The Loving Kind by Girls Aloud, Love In The First Degree by Bananarama
With 12 bands in 4-hours, it was going to be tight. A delayed train meant that the drummer from Bodyheat literally walked into the venue and on to the stage with the rest of his band! Just in time for some pop magic with the Bananarama cover an early highlight of the night.

Sharptooth - Remember Walking In The Sand by The Shrangri La's, Rebel Girl by Bikini Kill

I hadn't heard of Sharptooth (above) before the night but I'l definitely be checking them out. Their guitars sounded glorious and they delivered their covers with attitude and style.

Broken Records - Modern Girl by Sleater Kinney, Stop In The Name Of Love by The Supremes

Top marks to Broken Records (pictured with Sita and Carla from TeenCanteen who joined them for the Supremes cover) for travelling through from Edinburgh to play.  They were a highlight from the Girl Effect #1, playing with total confidence, tight as you like, strong vocals and superb song choices.

Jo Mango - November by Auzure Ray, Before The World Was Big by Girlpool

I watched Jo Mango and her from the side of the stage, getting a close up view of the way they beautifully construct melodies from some out of the ordinary instruments. Their ability to do this with songs that are not their own was stunning.

Cairn String Quartet - Just A Girl by No Doubt, Waltz by Rachel Sermanni, Honey by TeenCanteen

Jaws dropped around Mono when the Cairn String Quartet started their covers. They sounded beautiful and at times you couldn't believe there was only 4 of them. They soon became 8 when the girls from TeenCanteen joined them to perform their debut single Honey that they rerecorded with the Cairn String Quartet for their album - gorgeous. Watch a video of the performance HERE

Skies Fell - Work by Kelly Rowland, Stay by Shakespears Sister

A standout performance. Running slightly late, I was beginning to get a little stressed as my sister had put me in charge of artist liaison and timings! It was worth the hold up as Skies Fell absolutely smashed it out the park with both performances. Singer David Pollock shaker and shimmied to Kelly Rowland's Work and hit the falsetto with ease. Stay was a real highlight from the night. Exceptionally tight performance.

Honey and the Herbs - Soft Sands by The Chordettes and Dance by ESG

Wow! My sister described Honey and the Herbs as 'Glasgow's best kept secret'. They were sensational, brilliant musicians who delivered 2 stunning performances. Dance by ESG really got the crowd going. I look forward to seeing them live in the future.

Kathryn Joseph - I'll Set You Free by The Bangles, Call The Shots by Girls Aloud

Simply beautiful. SAY Award winner Kathryn Joseph was absolutely lovely - in performance and person. Coming for the start and staying until the last record was spun. A hush fell over Mono when Kathryn began to sing, backed only by 2 different antique keyboard/organ style instruments, one for each song. Her voice is exquisite, delivery unique and she melted hearts.

BMX Bandits - That's How Heartaches Are Made by The Marvelettes, It's Gonna Take A Miracle by The Royalettes

Duglas T Stewart has been an incredible help to my sister since she formed TeenCanteen and he was as supportive as always in the build up to The Girl Effect #2, helping with promotion and writing a brilliant piece for Louder Than War featuring his 10 favourite girl group songs. Check it HERE.

Duglas and his BMX Bandits were in fine form and I probably wasn't the only one who wished they could have chosen and played a few more songs. That's How Heartaches Are Made was soulful, stretching on heart strings and Duglas was in fine voice. It's Gonna Take A Miracle was sung beautifully and powerfully by Chloe, a stunning performance with the Bandits backing her in style.

TeenCanteen - Trouble by Shampoo, Waterfalls by TLC and I Know Where It's At by All Saints (mash-up), Sister by TeenCanteen

On to the curators, TeenCanteen started with the relatively obscure Trouble by Shampoo, a mid-90's outfit who wrote fanzines about the Manic St Preachers and came through the Riot Grrl scene before delivering this slice of punky pop perfection. Deborah took lead vocals, while all the girls were on harmonies.

TeenCanteen's take on TLC's Waterfalls into I Know Where It's At by All Saints was stunning and captured on film by Duglas from BMX Bandits. Watch it HERE

The girls ended with their own song Sister and the message was clear;

I know I've got something good

When I feel the sisterhood

With me

The raffle was drawn and then there was time for 90-minutes of dancing with the TYCI dj's playing some cracking pop tunes, ending the night in fine style with Madonna's Like A Prayer. The girls had been dj-ing between songs all night and their taste and style was perfect for the night.

The final total has still to be confirmed but it is well over £2,000! Well done again to all involved.

TeenCanteen launch The Girl Effect 2

An exhausted but happy sister at The Girl Effect #1

watching Stanley Odd cover her song 'Honey'

Earlier on this year my sister Carla decided to do something rather special to mark her 30th birthday.

In actual fact it was truly special - Carla curated a night to raise funds and awareness for Scottish Women's Aid with a whole heap of bands and artists covering girl group songs from the 1950's through to present day.

The event at Summerhall in Edinburgh sold out and raised almost £3,500. Artists including Eugene Kelly (The Vaselines), Duglas T Stewart (BMX Bandits), Norman Blake (Teenage Fanclub), Broken Records, The Spook School, Machines In Heaven, Flash Talk, Stanley Odd and of course Carla's band TeenCanteen covered artists ranging from Martha Reeves and the Vandellas through to The Sugababes with Betty Boo, Destiny's Child, All Saints and TLC in between. A full list of artists and the songs they covered is available HERE

Scottish Women's Aid were so delighted with the awareness and funds raised that they asked Carla if she could do a second night to mark Glasgow taking part in 16 days of action this November.

Emma Davies from Scottish Women's Aid explained; "The 16 days take place every year between November 25th - the International Day of No Violence Against Women, and December 10th - Human Rights Day.

The global campaign sees communities, NGO's and charities hold events aimed at raising awareness of violence against women, and trying to influence behaviour and secure political commitment to ending it.

Every year as a different theme and 2015 is about the links between militarism and the right to education - both in conflict and in peace. The most recent estimates suggest that, worldwide, 31 million girls at primary level and 34 million at lower secondary level are not enrolled in school.

Scottish Women's Aid has used the 16 Days Campaign to raise awareness about domestic violence and to push for changes that make women and children safer."

It is 2015. Lets make a difference.

So here is the line-up for The Girl Effect #2 taking place at Mono in Glasgow on Thursday 26th November. All the artists, the production crew (La Chunky Studios) and the venue are giving their services for free!

Please spread the word and I hope to see you there! Who will SAY Award winner Kathryn Joseph cover? And will anyone cover 'Trouble' by Shampoo?! You'll need to attend to find out.

The SAY Award shortlist

The Scottish Album of the Year Award (the SAY Award) has been a welcome addition to the Scottish music and arts scene since its inception; highlighting the quality and diversity that our nations artists create year on year and provoking debate about what albums should make the shortlist and of course; who should win.

The ten albums on the shortlist are noted below; the fact that the likes of King Creoste with his critically acclaimed From Scotland With Love, Withered Hand with his brilliant New Gods and The Twilight Sad with their most acclaimed album of their career, haven't made the shortlist has already created heated debate amongst Scottish music fans.

Little known acts like Happy Meals are on there - I have really fallen for their album since wondering who the hell they were when they popped up on the long list.

Let's see who is on the shortlist - in no particular order;

Last years winners Young Fathers are shortlisted again with Dead. They won with a mini-album/mixtape last year that created a heated debate regardless of the quality. The band followed that up by winning the Mercury Music Prize and have been gathering incredible critical acclaim and a growing fanbase.

The band are fiercely independent, prolific and are developing a reputation for fierce live performances. Dead has already won the Mercury - can they do the double? They may well be back on the shortlist again in 2016 with their latest album White Men Are Black Men Too.

The Amazing Snakeheads Amphetamine Ballads sent them careering around the globe causing havoc with their energy and passion. They imploded in February this year to the dismay of many.

Will their sole release win them the SAY Award? It's a menacing album mixing all kinds of stuff - The Doors crossed with punk, rock n roll and jazz at times - as evidenced on Flatlining below.

I caught them at the Wickerman Festival last summer and they were sensational live. They wouldn't be my own personal choice but would be popular with many.

Kathryn Joseph is someone I can see winning the award. Appearing from nowhere with a beautiful Vic Galloway session and causing some Scottish bloggers to melt with her Bones You Have Thrown At Me And Blood I Have Spilled album. I have yet to hear a bad word about this album or her live performances.

Listen to the gorgeous The Bird to get an idea of the beautiful sounds and imagery she creates.

Happy Meals have already won a new fan in me. Their name caught y attention when the SAY Award longlist was announced and I was transfixed by the gorgeous and eclectic sounds they create on their Apero album. It is just so gorgeously different - think Stereolab crossed with Kraftwerk in the year 2025. 

I really hope to see them live in the near future. 

Belle and Sebastian have made the shortlist with Girls In Peacetime Want To Dance. I reviewed the album on release HERE 

It is a brave album; dealing with personal illness, incorporating disco influences, yet remaining distinctly Belles. As per the review, I think there are some incredible songs on the album. Stuart Murdoch is an exceptional songwriter and I certainly wouldn't be surprised if they won.

Paulo Nutini is on the shortlist with Caustic Love. Paulo is a huge artist with worldwide appeal and this album has won him new fans, including those who perhaps poured scorn on him and his music in the past.

I haven't heard the full album however a couple of my best friends have been won over by it. Performances and songs like Iron Sky below highlight why he may become the most mainstream artist to win the SAY Award to date.

Honeyblood are a band that have worked exceptionally hard over the last year to promote their eponymous album that was released on Fat Cat, a label that has taken Scottish acts to their hearts over the years.

Honeyblood (the band and album) is very old school indie guitar music - so no surprise that I quite like it. Humour, warm guitars and good hooks are evident throughout. That said, I'd be surprised if they win and have done well to get to the shortlist.

Paws are another act on the Fat Cat Records label and their album Youth Culture Forever has understandably found favour in America where they have toured extensively. The slacker/grunge guitar sound can be exceptionally catchy at times but it isn't without depth and there is so much more to them as evidenced on their near 12-minute epic War Cry which has echoes of Nirvana, quiet verses then truly exploding into life.

SLAM are veterans of the Glasgow music scene, so in that sense it is good to see them on the shortlist with their Reverse Proceed album. It must be around 10-years since I have seen or heard SLAM in action, however I am reliably informed that they are still leading their field.

Judge for yourself with this continuous mix of the album;

Mogwai's Rave Tapes didn't make the shortlist but Rock Action label mates Errors have made it with Lease Of Life. Pardon the pun but they seem to have had a new lease of life - I was surprised when I caught them live in Glasgow Green for the Commonwealth Games last summer. They put on an incredible show to match their sonic soundscapes.

Errors have a real chance of winning for me. They seem to be progressing as a band, unafraid to explore and experiment, willing to bring friends (Cecilia Stamp on guest vocals) into their inner circle and gathering some fantastic reviews.

Check Through The Knowledge Of Those Who Observe Us for evidence of the expansive, melodic and experimental sound that Errors are capable of creating. The songs were created on the Isle of Jura and this epic 13-minute closer is a song with plenty of dreamy space, not in a rush, building gloriously.

So there you go - my top 3 in no particular order would be Happy Meals, Errors and Kathryn Joseph. My outsiders would be Honeyblood and Paws. But technically each artist has a 10/1 chance of winning!

The SAY award ceremony is at the ABC in Glasgow on the evening of 17th June.