Showing posts with label Jonathan Donahue. Show all posts
Showing posts with label Jonathan Donahue. Show all posts

Wednesday, 27 September 2017

Chemical Brothers collaborations


I was driving around the other day with my Never Ending Mixtape on shuffle and all of a sudden Wide Open by The Chemical Brothers with Beck came blasting out of my car speakers.

I marvelled at the song and, not for the first time in relation to a Chemical Brothers collaboration, questioned 'what if?'

What if Beck and The Chemical Brothers had got together for an album?

It is something I have thought about many times in relation to Chemical collaborations, particularly in relation to the mesmerising, pulsating, modern psychedelic masterpiece The Golden Path, their work with The Flaming Lips from their Singles 93-03 compilation in 2003.

What if some bright spark had suggested - that really is incredible, lets get together for a week or so and see what we can come up with? I suppose at that time that both the Chems and the Lips were riding high and touring constantly on the back of their success, so that option never materialised. What if?

A full list of Chemical Brothers collaborations is listed below. Here are my own top 5;

1. The Golden Path
Wayne Coyne from The Flaming Lips takes on lead vocals with bandmate Steve Drozd on backing vocals. The song flows superbly and takes the listener on a trip, much like the dreary office worker living in a grey world and dreaming in technicolour glory. Coyne and Drozd apparently sent the Chems a demo thinking they would get another chance to improve on it, but the Chems called them back ecstatic - and that was that.

2. Life Is Sweet
Tim Burgess was into the Chemical Brothers from the off, partying at the Heavenly Social and getting them to remix and produce some Charlatans tunes; PatrolNine Acre Court and the Time For Livin' cover being those I remember off the top of my head.

Life Is Sweet is a match made in heaven. The beats and groove suit Burgess, his vocals, melody and style are perfect for The Chemicals. The beats, synths and bass combine in a funky flowing way

I'm driving in the sun
It's a hell of a way down south
Bring me back my love


3. Out Of Control
Bernard Sumner is someone who responds very well to opportunities to work with others. He is a bit of a studio boffin and I love his work with Electronic and more recently a collaboration with Hot Chip on the brilliant Didn't Know What Love Was - check the video to that HERE.

As for Out Of Control, it surges, soars, floats - the guitar break is pure New Order with fizzing laser synth sounds - and then it surges some more. Sumner is in great form and he's joined by Primal Scream's Bobby Gillespie on backing vocals.

Maybe I'm just scared of losin' you
Or maybe it's the things you make me do


4. Where Do I Begin?
Beth Orton was crowned the 'comedown Queen' back in the day. She collaborated with the Chems on a number of occasions and I was torn between this and the glorious The State We're In, but this just wins for me.

It really is a comedown tune. A lovely riff is picked out with all kinds of psychedelic effects in the background. Orion's voice is whispery and gorgeous.

Sunday morning I'm waking up
Can't even focus on a coffee cup
Don't even know whose bed I'm in
Where do I stop, where do I begin

And then the beats come in and it all kicks off in a typically frantic and glorious Chemical Brothers fashion. The video below is an edited version. You can check the full 7-minute album version HERE.




5. Wide Open
The song that prompted this blog. It's sublime, it really is outstanding. The beat that comes in with the synth bass is instantly cool, Beck's vocal is one of his best.

I'm wide open
But don't I please you anymore?
You're slipping away from me
You're drifting away from me

If you haven't heard it then stick your headphones on and drift away in a song that flows superbly. There are little twists and turns along the way; the one day just gonna see me section is stunning, the bass really kick in at one point and the song just keeps flowing and building.


Chemical collaborations

Life Is Sweet - Tim Burgess (Charlatans)
Alive Alone - Beth Orton
Setting Sun - Noel Gallagher (Oasis)
Where Do I Begin? - Beth Orton
Out Of Control - Bernard Sumner (New Order)
Let Forever Be - Noel Gallagher (Oasis)
Asleep from Day - Hope Sandoval (Mazzy Star)
Dream On - Jonathan Donahue (Mercury Rev)
The State We're In - Beth Orton
The Test - Richard Ashcroft (The Verve)
Galvanize - Q-Tip
The Boxer - Tim Burgess (Charlatans)
Believe - Kele Okereke (Bloc Party)
Hold Tight London - Anna-Lynne Williams
Left Right - Anwar Superstar
Close Your Eyes - The Magic Numbers
No Path to Follow - Willy Mason
All Rights Reversed - Klaxons and Lightspeed Champion
Do It Again - Ali Love
The Salmon Dance - Fatlip
Battle Scars - Willy Mason
The Pills Won't Help You - Tim Smith (Midlake)
Wide Open - Beck
Born in the Echoes - Cate Le Bon
Neon Lights - Annie Clark
EML Ritual - Ali Love
Go - Q-Tip
The Golden Path - The Flaming Lips

Saturday, 21 November 2015

Mercury Rev at Glasgow School of Art

Holes, dug by little moles, 
Angry jealous spies, got telescopes for eyes
Come to you as friends, 
All those endless ends,
That can't be tied

Mercury Rev came to town last night and led a sold out Art School audience on a glorious, magical, mystery trip through their back catalogue. It was a mesmerising performance, the ninety minute set flew by as everyone was captivated by Joanathan Donahue and his exceptional band.


So yeah, that was the setlist. Some bands take a few songs to get into their stride, to warm up, to find their groove - not Mercury Rev!

Donahue conducted his band, vibing off the soaring riffs and beats, pretending to fly at times and probably believing he could and he was.

Carwash Hair was funny, uplifting and life affirming. Frittering was psychedelic bliss, Tonite It Shows was delivered with tender care, a beautiful lysergic lullaby.

Mercury Rev were on fire. Donahue was up on the drum riser, lifting one of the lights off the stage to use as a spotlight to shine on the band, on him, on the audience, grabbing his guitar and joining in some of the glorious psychedelic jams that ended some of the songs, delivering an exceptional front man performance. The gleam in his eyes, the smile and his genuine heartfelt thanks were great to see and hear, this was a guy singing from the bottom of his heart. His band were sensational, Grasshopper shredded his guitar at times and delivered tender riffs at others.


Holes caused a few guys in their 50's beside me to grab each other and sing with gusto. The rest of the crowd felt the same way. A beautiful Tides led into the life affirming Opus 40 - but this whole experience was life affirming. The whole set made me think that every band in the universe should try LSD at some point!

The band went off for literally 30-seconds before coming back on and playing Goddess On The Highway. Arms were raised, the air was being punched and everyone sang along, especially on the melancholic yet soaring refrain.

And I know, it ain't gonnna last 
And I know, it ain't gonna last

Dark Is Rising finished the set as a young couple embraced in front of me, lost in the music and each other and Donahue thanked the audience; 'thank you from the bottom of our hearts Glasgow, it's been too long'.

Hope they come back soon.