Named after the debut single by Teenage Fanclub.
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This blog is all about being a music lover in Glasgow; reviews, interviews, memories, old faves, new discoveries (past & present) and more. Thanks for visiting - I hope you discover something amazing you have never heard before, or that you rediscover an old favourite.
Regular features/playlists; Never Ending Mixtape / Cover Version of the Month/ Trust Me.
Insta - @everythingflowsglasgow
E - murrayeaston{AT}gmail{DOT}com
Welcome to my 3rd DJ mix / playlist where, over 60-minutes (slightly over in this case) I try and create the vibe I used to love in bars like McChuills and The Variety Bar in Glasgow back in the early 00's. 'Back in the day' I'd often prefer staying in bars like this to going clubbing. The mix of music was more eclectic, you could mix more easily with other people, chat, dance, have a beer. The atmosphere in those bars was always so friendly and welcoming. The DJ style was very much anything goes and everything flows. I hope this is the kind of mix that, if played in McChuills or The Variety, would get people dancing, or coming up to ask me who the song was by if they hadn't heard it before.
From the coolness personified of Suicide and ESG, to bands and songs that did indeed soundtrack my nights out in the early 00's - Basement Jaxx, Groove Armada, a gem of an Air remix, Mylo and Royksopp. Throw in a couple of songs I've recently discovered by Charlotte Gainsbourg and DBFC, plus electro pop perfection by Eurythmics, a euphoric tune by Caribou, a real groove from Underworld and an undisputed classic by Massive Attack - this is quite a mix!
You can find it by searching Everything Flows DJ mix 3 on Spotify or CLICK HERE
David Blair, Belladrum Tartan Heart Festival, Summer 2019
Picture by Robert Adam
In these testing times we live in there is a band that always brings a smile to my face. A band that gets me singing, dancing and putting my hands in the air. Colonel Mustard and the Dijon 5 have become a firm favourite in Scotland and beyond over the last decade, with legendary festival performances playing a huge role. I decided to catch up with the bundle of energy that is David John Blair, D(ij)ancer and force of nature for the band.
The beautiful picture above, of David and his band uniting a festival, perfectly captures the energy and enthusiasm Colonel Mustard and the Dijon 5 generate when they play live with anthems like; Dance Off, Cross The Road, Peace Love and Mustard and the anti-drugs song These Are Not The Drugs Your Are Looking For. That song ends with the mantra everyone is happy, everyone is smiling, no-one here is sad anymore.
I look forward to seeing Colonel Mustard and the Dijon 5 getting the party started, celebrating the release of their new single G.T., in the beautiful surroundings of The Old Fruit Market in Glasgow on Friday 17th January. TICKETS HERE
Honestly, if you have the January blues, or if you just fancy a good night out, you won't regret it. Added bonus that my sister Carla is supporting and has some cracking new pop songs to play.
The band have just released their new single G.T. which is zooming up the alternative music charts.
I caught up with David for an extensive interview - should have done a podcast! Read on for loads of music recommendations and tonnes of positive energy.
EF - How are things with you and the band? What can we expect from your Celtic Connections show?
On a personal note, never better thanks! I started my actual Dream Job as Market and Ballroom Assistant for the Glasgow institution Margaret McIver Ltd, more famously known as The Barras Market (100 years old in 2021) and the Barrowland Ballroom AKA the Greatest Venue for Live Music in the World, on the 23rd of last month.
I've been going through an induction period of getting to know the role, buildings and area and the place is steeped in so much history it;s unreal. A truly humbling education and experience. It's genuinely my spiritual musical home and having played it five times, been to about 200+ gigs there and the band being inducted into the Hall of Fame in December 2018 makes it all the more special to now call it my place of 'work'.
Shout and MASSIVE thank you to the manager Tom Joyes for having the faith in me to offer me the job and for being such an amazing music mentor to me over the years. Tom's passion and knowledge for the business, area and music industry is unrivalled by many. What a man to learn from! As as are all The Barras Family working in there. We're really close knit, like a family. The banter is tremendous and it's great to have a laugh as much as possible in life. It's good for the soul.
CMD5 have a mass Dance Off in their favourite venue
There's a buzz around the East End Quarter at the moment and it's an honour to be spending so much time in an area so fertile with creativity. 2020 is going to be a BIG year for the East End!
As for the band, there are, as always, lots of things happening and coming together. We're busy finishing our second album, provisional working title The Difficult Number 2, with Paul 'Gal' Gallagher at Glenwood Studio in Castlemilk. It's pencilled in for release on 5th May 2020. Just in time for festival season with some new festival season anthems on it for The Dijon Family to dance like nobody is watching to!
Last Sunday (5th January) BBC Radio 6 Music DJ Amy Lame gave our new single G.T. (single and album released on Button Up Records - Garry John Kane - The Proclaimers bassist - record label) it's international radio airplay exclusive! That was after we woke up to a three page spread in the Sunday Mail interviewing the Colonel and using our new space themes photo shoot images from the incredibly talented Lee Howell Photography. We were so impressed with his photoshoot and artwork for Bombskare's last album A Million Ways To Die, that we asked him to work with us too.
EF - What were your highlights from 2019? Did any festivals stand out in particular?
Festival season is usually my go-to memory bank when I'm asked for band highlights of the year. Kelburn Garden Party was our best one yet I think. Of maybe five or so appearances. Tom McGuire and The Brassholes were on the Square Stage before us. I think they're one of the best funk and soul and party bands around and we have a lot of audience crossover so it really got the party vibe going with us dancing away in the crowd and then continuing with the Dijon party vibes straight after them.
We played our fourth year in a row at Belladrum Tartan Heart Festival. The Highlands Dijon Family really, really go for it up there and we've seen our crowds go from a capacity Hothouse Stage tent (1,500 ish) to being moved up to the main Garden Stage and the numbers growing steadily to 15,000 in 2019!
This will be our fifth birthday party playing there this year. The main stage production team told us post-gig it was the largest EVER crowd they'd ever had at the main stage! Until one of Bathgate's finest exports, Lewis Capaldi, bettered that later the samenight. Fair play Lewis!
Boomtown Fair, in Winchester, is one of the biggest festivals in the UK now and one of my favourites. Their whole Movement there, philosophy (peace, love, creativity) and vibe is beautiful. Approx 70,000 mad revellers attend and the level of production is movie set material everywhere you look. The aforementioned Tom and The Brassholes played, our bezzie mates from The People's Republic of Merseyside, She DRew The Gun, were a highlight, along with an incendiary set from the Prophets of Rage to close the Town Centre stage on the Sunday. Tom Morello had a message for our Evil Empire 'leader' Alexander Boris de Pfeffel Johnson on his guitar!
EF - The Scottish festival landscape has changes; no more T in the Park, no more Wickerman, no more Electric Fields .... you are probably more well placed than most to comment. What is working? And are there any gaps?
The festival landscape seems to always be evolving in it's own way, as you would expect. We were lucky enough to tick T in the Park off the bucket list at the last one ever at Strathallan and then DF Concert's came back with TRNSMT in our home town on Glasgow Green with no need for camping. I have had some amazing days at TRNSMT and for someone who doesn't drink alcohol (11 years aff it on 4th May 2020), I can leave the site, drive straight home and be in the shower or bed in fifteen minutes!
My heart belongs to Glasgow so I LOVE to see Glasgow's music scene thriving. TENEMENT TRAIL moving East last year was an amazing day of live music between the Barrowland Ballroom, Barras Art and Design, Saint Luke's The Winged Ox, Creative East End, Many Studios and more.
I'm always excited to play new festivals and we've announced one in the Black Isle, outside Inverness, called Woodzstock, that we've been asked to headline and are playing with our Highlands hip hop brothers and sisters, Spring Break. Their MC (The Badger Sized Rat) and DJ (Butterscotch) - both the same person - normally joins us onstage at Bella and we love them and their music.
Closer to home, I love the look of Playground Festival in Rouken Glen Park and with Underworld announced already I have a really good feeling that is going to be an incredible and not to be missed festival for the Central Belt.
EF - You have an incredible thirst for music - which artists and bands in Scotland are you particularly fond of at present?
Each year I think our music community gets stronger and the talent within it even better! I don't see 2020 being any different. I am particularly looking forward to the Return of The Odd, being Stanley Odd - one of my favourite bands EVER and MC Solareye AKA Dave Hook AKA Dr Hip Hop, one of the soundest folk in the music community at the ever excellent Neu! Reekie! night organised by Michael Pederson and Kevin Williamson for Burns and Beyond on 25th January in the Freemasons Hall in Edinburgh.
Medicine Men have a new album coming out I'm looking forward to. The level of creative talent coming out of Glasgow's Last Night From Glasgow record label is outstanding and I doff my disco cap to Ian Smith and everyone involved there. Keep an eye on everything coming out of Chris Blackmore's excellent Holy Smokes Records - The Hoojamamas, Awkward Family Portraits, Quiche and more.
Ones to watch our for this year are The Rain Experiment - like a cross between Catfish and The Bottlemen, Blossoms and Sam Fender. Have a watch of the Be My Angel video.
Have Mercy Las Vegas, Bombskare, Yoko Kwono, Feet of Clay's debut album, your sister Carla J Easton (our Celtic Connections gig Special Guest), Scotland's most talented teenagers Connor Fyfe, Robin Ashcroft and Emi V, Free Love, Stara Zagora, DopeSickFly, Flew The Arrow, Deni, Zoe Graham, Freakwace, Vanlves, Megan Airlie, kitti, Cara Rose, Zoe Bestel, BLair Coron, hip hop from the aforementioned Spring Break, Steg G and The Freestyle Master, Loki, Kayce One, GASP, Shotgun, Physiks, Kamihamiha! Mosta Bohze, Empress, Delivery Room, The Twistettes, Mickey 9's, Melisa Kelly and The Smokin' Crows and so many more! So many sources of inspiration around us.
Last year I started 23 Music Management and Promotions with Andy Anderson and with help from his brother Frankie roo and the first artist I am managing is the outstanding John Rush. Check him out, he really is amazing. Solo, singer-songwriter, acoustic guitar, stomp box, harmonica and incredibly soulful voice with a Scottish brogue. He's been drawing comparisons somewhere in between Ray LaMontagne and David Gray.
One of, and possibly my favourite band right now are HENGE. A four piece (three of whom are intergalactic aliens and one Homo Sapien) who are on a Universal mission called The Cosmic Dross Experiment to spread peace, love and music - from prog rock to techno and cosmic gestures unknown to us Ravelings here on Planet Earth.
EF - We entered 2020 with right wing leadership, climate emergencies and the threat of war. What gives you hope?
What gives me hope in these mad, bad, crazy times? Us. Power to The People. It's ALL happening on OUR watch so the only people that can do anything about it is ... US! From a creative standpoint I am very much inspired by the Dadaists response to the horrors of WW1. We need to continue and increase the use of arts to imagine, create and inspire. We need more civil disobedience and mobilising the masses to, borrow some Primal Scream lyrics, come together as ONE, to agitate, protest and resist the Evil Empires, corporations and backed by right-wing billionaire owned gutter press/propoganda. We need system change.
And that means facing up to capitalism and it's greedy illusion of perpetual growth/GDP on a finite planet. We don't inherit the planet from our parents, we borrow it from our children. In the immortal words of Zack de la Rocha, 'Anger is a gift' and we DO need to get angry at what's happening and channel that into positive non-violent direct action to affect, demand and make positive change.
Rage Against The Machine are hitting the comeback trail again this year, it is very timely and much needed. To use their lyrics from Take The Power Back
The Movement's in motion with mass militant poetry
The rage is relentless
We need a movement with a quickness
Youa re the witness of change and to counteract
We gotta take the power back
EF - Post Celtic-Connections, what does the rest of the year have in store for you?
The new album on 5th May 2020. Festival season. Announced so far for us are Woodzstock Festival, Speyfest and Bella. More to follow ... Getting out and about and playing more of the new album and old songs, spreading the peace, love and Mustard and partying with the Dijon Family again. I LOVE LOVE LOVE Idles and their album title Joy As An Act Of Resistance is like a mantra to me.
EF - Any New Year Resolutions?
I don't really go for anything too specific. Every day is the start of the rest of your life. Focus on the positive changes we can make in our Eternal Nows. For myself, I hope each year is a healthy, happy and prosperous one filled with peace, love and music and those are the main things I wish for all my family, friends and all the world really.
Even for those stuck in bad ruts, negative feedback lopps, misguided, hurting themselves and others. Just stop being a c**t to yourself and others and then maybe the world will be as One
Welcome to the 26th blog rounding up the latest additions to my Never Ending Mixtape on Spotify.
We have new music from Glasgow band Cloth with their shimmering reverby guitars and dreamy vocals, the band have only played 3 gigs but have already attracted the attention of Steve Lamaq and deservedly so. Snail Mail's Lush album is a beauty (see previous blog), we have a couple of classics from The Vaselines, some superb lofi pop from Go-Kart Mozart, a guitar punk pop gem from Frank Black, Courtney Barnett is still on regular rotation, the Gorillaz are back and as always offer some magical moments and I also include one of their early efforts in the form of a sublime slice of sunshine remix, it doesn't get much better than the trio of Bunnymen songs added, we have a couple of 70's era McCartney numbers and one from Rolling Blackouts Coastal Fever - a blog on their album is coming soon. Oh and check out Iggy Pop with Underworld!
The Everything Flows Never Ending Mixtape on Spotify is heading towards 700 songs. Scroll down to the end to play the latest additions, or simply press shuffle and enjoy.
Head to Spotify and search for Everything Flows Never Ending Mixtape or CLICK HERE
Demo Love - Cloth
Pristine - Snail Mail
Wide Awake - Parquet Courts
Headache - Frank Black
I Could Be Happy - Altered Images
Son Of A Gun - The Vaselines
Jesus Wants Me For A Sunbeam - The Vaselines
Paradise Circus - Hope Sandoval
A New World - Go-Kart Mozart
Electric Rock n Roll - Go-Kart Mozart
City Looks Pretty - Courtney Barnett
Lake Zurich - Gorillaz
19-2000 (Soulchild remix) - Gorillaz
Sometimes - Gerry Cinnamon
Ocean Rain - Echo and the Bunnymen
Crystal Days - Echo and the Bunnymen
The Killing Moon - Echo and the Bunnymen
Love Is Strange - Wings
Sunshine Sometimes (earliest mix/demo) - Paul McCartney
Last weekend I stayed up to watch Underworld headline the West Holts Stage at Glastonbury. They played a blinder and it brought back memories of catching them at the Barrowland Ballroom when the reception for Born Slippy was one of the best I have ever experienced, and also of catching them at Benicassim in 2005 when they came on around 3am!
Karl Hyde is 60 this year, if he isn't already - I can't find his exact date of birth, but he was born in 1957!!! He still has a cheeky boyish, mischievous grin, he still bounds around the stage with a seemingly never ending supply of energy. Maybe not quite as chemically induced as it once was!
I've been meaning to buy their latest album Barbara Barbara, We Face A Shining Future for a while and the blissed out versions of Ova Nova combining with Nylon Strung from that album cemented my decision to go for it.
I posted online about the songs and my friend Stephen Watt replied to say that the album was a beauty and he also loved these songs. Stephen was also watching Glastonbury at the time.
Stephen is a poet/spoken word performer, so I expected a well written feature....I got one!
Enjoy!
Underworld
– Barbara Barbara, We Face A Shining Future
The
reunion of raw-boned, platinum-haired singer Karl Hyde with bespectacled
producer Rick Smith at this year’s Glastonbury may have engendered a slight
incredulity that the Underworld pair had anything fresh or intoxicating to
offer modern day ravers. What a miscalculation that would prove to be as the
Essex dance trailblazers have recently reunited to create Barbara Barbara, We
Face A Shining Future, a personal favourite record over the summer of 2016.
Lead
single and album opener I Exhale is a glam-stomp, two-note rousing thumper. Upbeat and filled with Hyde’s
celebrated diced lyrics, it withholds all the warmth which trance music permits
its listener but moves into a synth-laden, hypnotic homage to krautrock. Even
lines such as "Spangled top, leather jacket” appear to nod towards something
more Germanic. The idiosyncratic groove of second track If Rah takes almost three minutes to find itself before bursting
awake like a creature of the night snapping at the moon through Hyde’s
repetitive chanting “Luna luna luna”. It is arguably the weakest track on the
album but has its own charms once more through ambiguous lyricism which implies
a sombre story being spun.
The
heavenly strings and ambient synths at the start of Low Burnconjures a glorious aftermath from the bones of the previous
track’s disjointed effort. A haunting atmosphere floods the song in its
entirety while the chain of Hyde’s lyrics “Time, the first time, blush, be
bold, be beautiful, free” border on meditative, urging listeners to close their
eyes and transport themselves towards more celestial plains. The curious Latino
sounds which follow on Santiago Cuatro continue the dreamscapes which Underworld have crafted on BBWFASF. Cradle songs
are not atypical of Hyde and Smith but this is a welcome prompt to remind
listeners that the band’s love for experimentation will occasionally take them
on journeys unexpected, but regularly enjoyed. This leads into the mid-tempo
rhythms of Motorhome and its
unquestionable nod to The Who’s Baba O’Riley. Sparse lyrics and a
straightforward beat suggest that there is not much meat to chew over, but a
delectable bass riff and piano interlude make this a fascinating, if a little
abstruse, track on the record.
As
the afore-mentioned Glastonbury appearance alluded, there were some true gems
from the album waiting to be found and none more-so than the final two tracks
on BBWFASF. Ova Nova is submerged
in glorious, beatific harmonies sung in a higher octave than most of the
record. Backed by the pair’s daughters Esme Smith and Tyler Hyde makes it a
connecting, dewy-eyed number which reaffirms that, like the album title, the
future is very much at the axis of the entire record. The gentle dance-beat may
not be to all Underworld fans liking but shades of 2010 record Barking lead single Scribble continues the upward spiral which the band have taken in the latter
part of their career. However, it is final track Nylon Strungwhich steals the show and showcases exactly what a
special band Underworld can be. The vulnerable line “Open me up, I want to hold
you, laughing” is at the centre of a slow but euphoric dance-beat which demands
every ounce of love from its listener, again aided by the daughters of Hyde and
Smith. This could well be the finest song produced by the band this side of the
millennium, and its bittersweet paean flits perfectly between contemporary
dance music lovers and veterans of the scene more accustomed to listening from
the comfort of their own homes.
It
is difficult to believe that both Smith and Hyde are now around the 60yrs-old
range, displaying a real knack for connecting with all ages and tastes in
music. At seven tracks long, the album does not overstay its welcome. It
revisits you, on the Monday morning trains – the after-work gym workouts – the
last smoke of the day – the sodden bus shelters in which we wait, and makes
everything just right again.
There is a show coming on BBC2 later on tonight that will celebrate 20-years of Scotland's largest music festival - T in the Park.
The journey of the festival and the people behind it has been truly remarkable in that time. While I've not been every year, I have certainly been to my fair share. Looking back at the line-ups, I think I went the first 7-years to start with.
It is almost a right of passage for teenagers to head to Balado for a weekend of music.
I thought I would write a blog with 20 memories of my own journey's to T in the Park;
Oasis at T in the Park, 1994
Still one of my all-time fave gigs, only it wasn't a gig, it was a cup final with Liam and Noel even playing football on stage. They were on the crest of an unstoppable wave, a tsunami, they were incredible. I would LOVE to see a video of this.
Rage Against The Machine and Cypress Hill turn up, 1994
Back in 1994 we didn't have mobiles or the internet, so festival rumours swept like wildfire. Back in 1994 we also couldn't believe that someone had booked some of the biggest and coolest bands in the world to come and play in a field in Hamilton!
With announcements that the bands were held up, things were not looking good. However they both played and even jammed a couple of songs together. Both had massive hits back in 1994 and remain cult bands to this day.
A human pyramid to Crowded House, 1994
I popped my festival cherry in 1994 and have a lot of fond memories. People building a human pyramid to a huge cheer during Crowded House in glorious sunshine was just a real festival moment that brought everyone together. Neil Finn egged them on and it was pretty impressive!
Pulling a Levellers fan!, 1994
Yeah I pulled a crusty. She was from Manchester and she was gorgeous!
Kylie Minogue, 1995
Kylie played in glorious sunshine and i was determined to get near the stage. I ended up leading a conga and snaking my way through the crowd to see her in the flesh. Poptastic!
Black Grape, 1995
Quite a few memories from this year as it was just so glorious. Black Grape kicked up a dust storm with their party set. A crowd of us were right down the front and it was brilliant.
Someone over turning a portaloo at the campsite, 1995
Funny but quite sickening at the same time. Especially when the person came out - eeuuggghh!
Going to see the Bluetones instead of Radiohead, 1996
Not my best memory of T - totally the wrong choice, as much as I love The Bluetones.
Camping - 97
Another sunny year - the first one at Balado. Their was a huge crowd of us that went up from Carluke and we got there really early to set up camp and drink some beers. Then some lads challenged us to a game of football. It was brilliant, that year was just really special. Lots of friends, sunshine and good music.
The campsite cheer, 1997
A cheer started going around the campsite, everyone started joining in. It was incredible, building and building, getting louder and louder, it was tribal. Then everyone started heading in one direction to congregate near a tent with a huge soundsystem and started dancing. If only we had had phones to record the footage. The guys tent got trashed!
Natalie Imburglia, 1998
I was in love with Natalie and in love with 'Torn' - still a stunning piece of pop music that sounds fresh to this day. Natalie wowed the crowd and me. I was maybe a little easier than others!
Echo & the Bunnymen, 2003
Skipping a few years as we head to 2003. The Bunnymen were first or second on the Main Stage, where my sister Carla had just texted to say she was rather ill after drinking a bit too much the night before. The sun was out and The Bunnymen blasted through their back catalogue.
Polyphonic Spree, 2003
Talking of my sister, she introduced me to a rather special band that year; the technicolour explosion that is the Polyphonic Spree. They were absolutely superb, that debut album was brilliant. Wearing tartan robes had the crowd in the palm of their hands from the off.
Underworld, 2003
One of the best live acts I have ever had the pleasure of watching; ranging from the Barrowlands to Benicassim with T in the Park in between. On this occasion they closed the NME stage and they closed it in epic fashion with Karl Hyde really getting the crowd going.
Orbital, 2004
What a show this was. One of the brothers last before they called it a day, only to come back again. We were down the front, 'Belfast' and 'Chime' were just perfect. And did they drop Bon Jovi or Belinda Carlisle - or both? Good times.
Chemical Brothers, 2004
We hot footed it over to the Slam Tent after Orbital where the Chemical Brothers blew the place away with hit after hit. Tim Burgess joined them on stage looking rather worse for wear but the romp through 'Life Is Sweet' was a hit with me.
The Magic Numbers, 2006
How could the sun not shine for a band like The Magic Numbers. Their debut album was the sound of summer for me that year and they attracted a huge crowd to the main stage.
The Charlatans, 2006
The Charlatans again. I've seen them more than any other band. This show was one of the best I have ever seen them at.
Vigo Thieves, 2012
And so to last year when Vigo Thieves played the BBC Introducing Stage - I say played, they tore it apart with a euphoric set that showcased exactly how big their songs are. Check this incredible fan footage for 'Heartbeats'.
Well I did warn that my 'Five for Friday' posts could become regular.
This week I've been listening to a wide variety of music, so this is a rather eclectic and eccentric mix.
Last night i was driving home from playing football and there was a BBC Radio 2 show on with Paul Gambaccini waxing on about several songs, including this, from 1987 when I was 13. I've probably not heard it since then, but the mark of a great pop song is that it stays with you.
Hey, I did warn you that this was going to be eclectic and eccentric. This is pure pop, George Michael w/ Aretha Franklin'I Knew You Were Waiting For Me'.
Changing pace ever so slightly, over the last couple of days I've been reacquainting myself with Underworld's stunning compilation 1992-2002. I could easily write a blog on that album alone, however for now, check out this sublime piece of electronica; '2 months off'.
Underworld are not getting any younger, yet they are still creating amazing music, check back through my blogs from November 2010 for a review of them on fire at the Barrowlands.
Last Sunday I dj'd for the first time in a long time at an event my friend Craig was putting on. I can't confess to knowing all of Gil Scott-Heron's output, however I do own a few of his albums and in honour of his passing I kicked off my set with this stone cold classic. 'The Bottle'.
I always get a little kick when I DJ if someone comes up and asks me 'what was that?' and that happened with that song. No wonder, it flows along so well, the lyrics are deep and meaningful, it is soul, jazz, poetry....sublime.
Another album I have been listening to is 'The Kinks Are The Village Green Preservation Society'. Released at a time where music was 'far-out' and experimental, The Kinks went about things a little differently with this concept album about all things English.
'We are the Village Green Preservation Society' is full of lyrical delights like;
We are the Village Green Preservation Society
God save Donald Duck, Vaudeville and Variety
We are the Desperate Dan Appreciation Society
God save strawberry jam and all the different varieties
Ooh what to end with. Well I'll go for another track i played during my DJ set and another one that caused people to ask 'what was that?'
I actually played the Ritchie Havens version of this song, but here is the original by Lamont Dozier in all its glory - sheer class. This is 'Going Back To My Roots', one of my all time favourite songs. Enjoy.
